The Triumphant Years reveals Picasso at the height of his powers, producing not only the costumes and sets for such Diaghilev Ballets Russes productions as "Parade" and "Tricorne" but some of his most important sculpture and paintings. These are tumultuous years, Picasso torn between marital respectability with Olga, the Russian ballerina who was his first wife, and the erotic passion of his mistress, Marie-Therese. Rome and Naples would inspire the classicism in Picasso's work of the early twenties and Richardson reveals how the mercurial, witty Cocteau introduced him to the aristocratic and artistic world of Paris, including the de Noailles art patrons who backed the surrealist films of Bunuel and Dali. First published 2007.